I have been wasting today away surfing on the web and I have come across a few images I just had to share!

These first few I came across looking up embroidery patterns.
The first one I will be printing out to try on a test tile or two. I love the way the lines of the bird sort of blend into the foliage surrounding it! I am thinking of slowly adding a few birds to my designs but blending them with the surrounding vines and such so they seem just a part of the landscape.

Finally I am back! I know it's been a long time, my life has been pretty busy. I've actually had a bit of a selling spree this month, a commission to finish up and some other things in the works so it's been good!

Also, as you can see, I'm getting back into making some test tiles to try and experiment a little more with my work. As always, it's one of those things that takes quite a bit longer than you think it will!

I'm also trying to play around with my sprig molds again, in hope of getting some of that "wallpaper patterning" that I was talking about in a previous post to start happening on my pots.
This is one of my old sprig molds that I started to play around with on one of my test tiles (sadly, the fit of my slip was not as good as I could have hoped for and this one cracked off in the firing).

Here's a pic of the actual mold I used. It's made out of scrap plaster that I had left over from making some larger molds. I just use a brush to paint the slip into the mold, wait for it to get dry enough on the outside to come out of the mold and then I take it out and attach it to my piece.
The mold on the right is finished and the one on the left is one I'm currently working on. I drew the design on the plaster first with a pencil and then I just carve away at those lines in the right places, test it out a little, making it thicker in spots if it needs to be. Once all that is done, I have a nice sprig mold!

The idea I had for these molds is to start using them to create some extra pattern in my work the same way that use repeating designs in wallpaper. Such as this one by William Morris:

There's just something about that "mirror image" sort of thing that starts to happen but at the same time, it's organic (that sort of controlled organic) that I'm really enjoying. Mine would be simplified down quite a bit but it's still that same sort of idea.

I was actually fishing with my husband the other day and saw the way the reflection of this tree that had fallen into the water had this same quality to it. Here's a few snap shots I took of that that I've turned on their sides so you can see the "seam" of the mirror image vertically as you would in wallpaper.
Interesting, yes? I can almost start to see the damask pattern popping out at me just from this picture. Who says damask wasn't taken from nature!

My life has been busy lately-- too busy for my taste, haven't had enough time to get into the studio more than once a week or so for the past two months. I'm getting a bit ansty to really get my fingers dirty but this time has been good for filling up my scrapbook/sketchbook with new ideas.


Admittedly, I probably could have found more time to go if I really tried but my work feels like it's at a bit of a stalemate right now. That's how my work seems to go for me. I'll have these great times when I'm just pushing things out but then it seems like I hit a wall and am unsure where to go next. I'm starting to not be satisfied with my work, to look at it and only see flaws and so that's why I think I need this stepping back for a bit. I've been doing a lot of thinking and drawing and I think I've sorta figured out what quality in my work it is that I don't like, now the hard part: to change it/fix it so it's something I'm happy with again. Frustrating to do on only a few days a week!

So enough venting (that's not the reason I wanted to post today), I thought I would put up a few more of my inspirations and things I've been looking at and mulling over lately.

First is this lovely little blue and white tile handmade in Istanbul, Turkey. It's a more modern adaption of the Iznik Tiles of the 15th and 16th century. One of the things I've been playing around with adding to my work is a more fluid line for the vines and leaves of my pieces. There's a stiffness to my work right now that I don't like and am trying to get rid of.

Then part of me thinks that maybe I should play with that stiffness and try to make my designs more geometric such as these four tiles below which more islamic in style and use the flowers and leaves very symmetrically but something about them is still more graceful than my current designs.


So, in a pinch, those are the two main "types" of drawings I've played around with lately. Using symmetry as a tool to fashion my designs around and also the opposite. I guess the play of those two things is what I'm pretty interested in and have been throughout this body of work.

I did a painting in during undergrad that was modeled after some William Morris (another major art influence for me) where I took specific pieces of his floral designs and crafted my face in a repeating pattern. To me, it just reminded me of being a little girl staring at different wallpaper trying to find the faces and animals that would eventually emerge out of them. It turned out really well. I think there's something about that duality that I like as well (but I'm not sure if it fits into my work right now-- maybe it's best saved for the paintings!).

Today is promising to be a perfect day! So far it has been anyways.....woke up when my hubby got out of the shower, we ate breakfast together before he headed off to work.....I just took a (perfect) shower and now I'm sitting here drinking my tea with the sunlight spilling down on me thinking that right now, nothing could go wrong! Not yet anyways:) I have yet to go to work today.....but if nothing else, it will be a short day and I have an idea so I can feel like I'm contributing. Then, I get to go to the studio this afternoon for a few hours! Throw a few tissue boxes, trim (if they're ready) my lotion dispensers and soap dishes on round two of making Joy's bathroom set. I have to say, I'm really glad this set is for my sister because I would feel horrible about this whole thing if it were anyone else. Not that I don't feel horrible, but I feel less horrible.

Really, they didn't turn out all that bad but the glaze is thick since it's the end of the bucket so they're a little foggy looking and also the reduction wasn't right (basically means that the fire got too much oxygen from the outside of the kiln so it didn't pull oxygen molecules from my glaze) so they change colors as you go around the pieces to this, what I think, is a really bright, ugly green.

But enough about failures! What about successes? It actually feels really good to be working full time and not worrying about money again because I can focus on my work as work and not feel like I have to crank things out really quickly and I think that will let my work develop a little more naturally. Also, I'm going to start spraying my glazes again. After the last kiln load disappointment with the thick glaze application, I've decided that I would get a more consistent product from spraying even if it does take a little more time. Oh, and one of my clay buddies, Jack and I were talking about my work a little while back and he thinks I need to spray them also just because of the subtle texture that happens over the pattern when the glaze is sprayed (which I agree with also). As he said, it's those little details that make my work so great. The subtle textures on the outside, the inside texture when I make little dots on the outside, the transparent areas where I carve through more deeply. Those little things take my work from good to great! At least to me.

Well, enough talk for today. I need to finish my cup of tea and get ready to go off to work. Sorry about the somewhat boring post! I will try to throw in a few pictures next time.

So I'm getting antsy to get my fingers into clay again! I feel a bit out of touch with that part of my life. I have been gone from home (and thus my studio) for the last five weeks and still have one week to go and I am READY! Ready to be home, sleeping in my own bed, makings things in my studio. Agh, I can't wait!

There was one very exciting thing that happened while I was here: I sold another piece on Etsy! To another potter, from Rochester, NY. She put it up on her pottery shelf in her kitchen:


Can you find mine? (hint: it's really quite easily spotted)

Her name is Carol and she is another Etsy potter; you can find a link to her work here.

Thanks again Carol, for supporting my work!

So this post is going to be a bit short because I (accidentally) stabbed myself in the hand with a thermometer today and my hand is a bit sore.

I wanted to write because I've been looking for inspirations lately and I found some really beautiful vintage script letters. I was thinking possibly for my new chop stamp that I've been meaning to make out of some extra blocks of plaster I have lying around.

I actually really love the colors on this one. They are very vintage/scandinavian/60's/Medieval which I think is very fun!

This one is embroidered and the color palate is more in line with my work. I'm actually going to try and get a yellow similar to that one but maybe a bit more buttery. I have the test tiles but I haven't fired them yet. Once I get back home (I'm in NC training for my day job for 6 weeks), I will get those fired!

This one, I think, is my favorite! The leaves remind me of the swirly way the leaves are drawn on Islamic Pottery.

A little work, a few pots

So I've been terrible about updating my blog lately. I was just in a mood where nothing seemed good enough and I was getting a bit frustrated with trying to sell my work (still am, but I'm a little more accepting of how hard it is now!). I did my first sale (as I talked about in my last post) and I sold one cup all day. Yes that is right, only one cup. I actually lost money on that one. But slowly I grow....there's a woman in Salt Lake City that is interested in selling my work at her store so I have hope again.

The bright side of that sale was really just the extra effort put in the month before to make new work. Since I didn't have my normal slip (it was still on order at Bennett) I had to improvise and the results were actually wonderful!]

Here's a few of my favorites:I love how the copper green blushes in little corners and how the lines look underneath the oribe. Also, if you can tell on the cup, the little dots go through the cup to show up on the inside so it's just another wonderful little detail. I love how the little dots feel!

And my very absolute favorite:

This picture was taked at the show so it doesn't really show how perfect it is. One of the things I really love about it is actually that the bottom is so thin that the outline of a leaf that I carved into the bottom of it is actually transparent! It's a great little surprise when you're finishing your last bit of drink. I decided after the sale when it didn't sell that I was going to keep it and so I will (for now anyways!).