Finally I am back! I know it's been a long time, my life has been pretty busy. I've actually had a bit of a selling spree this month, a commission to finish up and some other things in the works so it's been good!

Also, as you can see, I'm getting back into making some test tiles to try and experiment a little more with my work. As always, it's one of those things that takes quite a bit longer than you think it will!

I'm also trying to play around with my sprig molds again, in hope of getting some of that "wallpaper patterning" that I was talking about in a previous post to start happening on my pots.
This is one of my old sprig molds that I started to play around with on one of my test tiles (sadly, the fit of my slip was not as good as I could have hoped for and this one cracked off in the firing).

Here's a pic of the actual mold I used. It's made out of scrap plaster that I had left over from making some larger molds. I just use a brush to paint the slip into the mold, wait for it to get dry enough on the outside to come out of the mold and then I take it out and attach it to my piece.
The mold on the right is finished and the one on the left is one I'm currently working on. I drew the design on the plaster first with a pencil and then I just carve away at those lines in the right places, test it out a little, making it thicker in spots if it needs to be. Once all that is done, I have a nice sprig mold!

The idea I had for these molds is to start using them to create some extra pattern in my work the same way that use repeating designs in wallpaper. Such as this one by William Morris:

There's just something about that "mirror image" sort of thing that starts to happen but at the same time, it's organic (that sort of controlled organic) that I'm really enjoying. Mine would be simplified down quite a bit but it's still that same sort of idea.

I was actually fishing with my husband the other day and saw the way the reflection of this tree that had fallen into the water had this same quality to it. Here's a few snap shots I took of that that I've turned on their sides so you can see the "seam" of the mirror image vertically as you would in wallpaper.
Interesting, yes? I can almost start to see the damask pattern popping out at me just from this picture. Who says damask wasn't taken from nature!

My life has been busy lately-- too busy for my taste, haven't had enough time to get into the studio more than once a week or so for the past two months. I'm getting a bit ansty to really get my fingers dirty but this time has been good for filling up my scrapbook/sketchbook with new ideas.


Admittedly, I probably could have found more time to go if I really tried but my work feels like it's at a bit of a stalemate right now. That's how my work seems to go for me. I'll have these great times when I'm just pushing things out but then it seems like I hit a wall and am unsure where to go next. I'm starting to not be satisfied with my work, to look at it and only see flaws and so that's why I think I need this stepping back for a bit. I've been doing a lot of thinking and drawing and I think I've sorta figured out what quality in my work it is that I don't like, now the hard part: to change it/fix it so it's something I'm happy with again. Frustrating to do on only a few days a week!

So enough venting (that's not the reason I wanted to post today), I thought I would put up a few more of my inspirations and things I've been looking at and mulling over lately.

First is this lovely little blue and white tile handmade in Istanbul, Turkey. It's a more modern adaption of the Iznik Tiles of the 15th and 16th century. One of the things I've been playing around with adding to my work is a more fluid line for the vines and leaves of my pieces. There's a stiffness to my work right now that I don't like and am trying to get rid of.

Then part of me thinks that maybe I should play with that stiffness and try to make my designs more geometric such as these four tiles below which more islamic in style and use the flowers and leaves very symmetrically but something about them is still more graceful than my current designs.


So, in a pinch, those are the two main "types" of drawings I've played around with lately. Using symmetry as a tool to fashion my designs around and also the opposite. I guess the play of those two things is what I'm pretty interested in and have been throughout this body of work.

I did a painting in during undergrad that was modeled after some William Morris (another major art influence for me) where I took specific pieces of his floral designs and crafted my face in a repeating pattern. To me, it just reminded me of being a little girl staring at different wallpaper trying to find the faces and animals that would eventually emerge out of them. It turned out really well. I think there's something about that duality that I like as well (but I'm not sure if it fits into my work right now-- maybe it's best saved for the paintings!).

So this post is going to be a bit short because I (accidentally) stabbed myself in the hand with a thermometer today and my hand is a bit sore.

I wanted to write because I've been looking for inspirations lately and I found some really beautiful vintage script letters. I was thinking possibly for my new chop stamp that I've been meaning to make out of some extra blocks of plaster I have lying around.

I actually really love the colors on this one. They are very vintage/scandinavian/60's/Medieval which I think is very fun!

This one is embroidered and the color palate is more in line with my work. I'm actually going to try and get a yellow similar to that one but maybe a bit more buttery. I have the test tiles but I haven't fired them yet. Once I get back home (I'm in NC training for my day job for 6 weeks), I will get those fired!

This one, I think, is my favorite! The leaves remind me of the swirly way the leaves are drawn on Islamic Pottery.

A little work, a few pots

So I've been terrible about updating my blog lately. I was just in a mood where nothing seemed good enough and I was getting a bit frustrated with trying to sell my work (still am, but I'm a little more accepting of how hard it is now!). I did my first sale (as I talked about in my last post) and I sold one cup all day. Yes that is right, only one cup. I actually lost money on that one. But slowly I grow....there's a woman in Salt Lake City that is interested in selling my work at her store so I have hope again.

The bright side of that sale was really just the extra effort put in the month before to make new work. Since I didn't have my normal slip (it was still on order at Bennett) I had to improvise and the results were actually wonderful!]

Here's a few of my favorites:I love how the copper green blushes in little corners and how the lines look underneath the oribe. Also, if you can tell on the cup, the little dots go through the cup to show up on the inside so it's just another wonderful little detail. I love how the little dots feel!

And my very absolute favorite:

This picture was taked at the show so it doesn't really show how perfect it is. One of the things I really love about it is actually that the bottom is so thin that the outline of a leaf that I carved into the bottom of it is actually transparent! It's a great little surprise when you're finishing your last bit of drink. I decided after the sale when it didn't sell that I was going to keep it and so I will (for now anyways!).

So I had a pretty busy morning today photographing some sets of pieces for my new banner on Etsy and to apply to sell my work on Trunkt. We'll just have to see how that goes but hopefully I will be selected to sell from their site (which really just links buyers back to Etsy). I suppose as long as I'm getting my work out there it doesn't really matter to me where they decide to purchase my work from.

Two shots of my cup designs- mugs and juice glasses- I also make taller tumbler type glasses but haven't gotten any of those out of the kiln in awhile.
A few different bowls- again with my favorite that blushed orange!
This pitcher just came out of the kiln yesterday- have to say I am really pleased with how it came out! If only there wasn't a baby crack on the bottom....

Yesterday at the studio, I brought my new camera so I could get a few good shots of some of my in-progress pieces. I'm very excited about my new camera (a Nikon D60) that my wonderful hubby bought me as a present for officially starting to sell my work. It will also come in handy for keeping my portfolio up to date.

This pitcher was one of my favs from yesterday:
I'm very happy with how the above little flower turned out! It will look just lovely pooling glaze!
Below, is a close up to explain my process a bit. See the fine line running through the red underglaze line? That is a shallow cut from an exacto knife. Then I fill it in with the red slip and when it's all stiffened up quite a bit, I use a metal rib to scrape away the excess and I am left with a red incised line (like the bottom picture).



Here's another pitcher that I made yesterday along with a full shot of the above finished:


These dots in the sides are something that is new to this recent batch of pots made within the past two weeks or so. None have come out of the firing yet so I'm pretty anxious to see what they look like. I really hope they bleed down a bit in the firing. Although I have done dots from a slip trailer these are actually made from pressing the end of a paint brush into the wet clay and then filling the inside with underglaze. One thing I love about doing these dots is that I throw thin enough so you can see the clay pushing through on the inside as well!

Here's the decorating of my first batter bowl:

Those first two are pre-scraping and the last one is the finished (ready to be fired) batter bowl. I love, love what is happening under the handle on the back with the green only inside the handle and the leaves wrapping into the inside!

I also decorated ten teacups/mugs yesterday but I didn't get pictures of those. When I left they we all too wet to scrape still so that will probably be the first thing I do next time I get into the studio! I'm pretty excited also because this Saturday is the first wood firing of Jack's new kiln. Can't wait to see how all their pieces turn out! Too bad my patterns would be totally obliterated by the firing. One of these days I may make some things especially for the wood kiln. I do love the atmosphere a wood kiln creates!

It's late but I had to work late tonight ("day" job not ceramics) so I'm still pretty wound up. Hope I can get up in the morning...I wanted to get into the studio by 9am...but that's not what I got on here to talk about. Really, I wanted to post a few more pics of my pots before they end up on Etsy tomorrow. Just to forewarn you, the pictures are far from professional quality. What you are about to see is total improvisation (aka a piece of blue pastel paper thumb tacked to the wall that I took pictures in front of and then edited in a pseudo-shadow on top to give them the illusion of a bit more depth).




The last two pictures are the same mug, I just took a picture with each cup and my hand to try and show some scale. Otherwise, it's just too hard to visualize the actual size of an object in a picture. They really are dainty for mugs, especially compared to how large I usually make my mugs.

All things considered, I'm actually happy with how my pictures turned out. They make it clear how bad my camera is though. The backdrop was actually a bright light blue rather than a gray and the "white" areas of the pots really have a slight blueish ting to them. One of these days I will get the camera of my dreams and then just try to imagine the pictures I will take!

Horray! I have work out of the kiln and they turned out fantasic! The slip color couldn't have been more perfect if I would have been able to mix it up with paint (which we all know is not how glazing works!).
Of course these snapshots are not the best, they don't show the subtle blue tone on the insides of the mugs but that's okay. Once I get my etsy site up and running, the pictures will be professional quality but these are good for now!




Here's a few more pics of what I'm working on in the studio at the moment. I have going a pitcher and batte bowl, a few cups and some knobby salt and pepper shakers.



Oh yes, and I cannot forget my little bottle that I'm making for one of my good friends. This is a photo taken after I incised the lines, before I scraped away the excess underglaze. Once it's finished the lines will look as sharp as the fired ones above.

While at ISU, I developed a love of floral design books and really based my first drawings and carvings on my pot from those. I never actually got the pleasure of looking through this one but I stumbled on this artists work while blogging one day and fell in love. His name is Frederick Edward Hulme and he was a graphic designer/illustrator/writer in the late 1800s from around 1870-1890. These are a few pages from his book Suggestions in Floral Design:


I love not only the drawings in this and other design books from this era but also how they talk about pattern and using it as a design element. It's interesting for me to read about these ideas-- repeat patterns, drop repeats, reverse repeats, etc.
Below are a few of his drawings (giclee prints) from another book he wrote and illustrated called Familiar Wildflowers that are remarkable as well!

So in case you can't tell, the subject for this post is paisley patterns. So for a little history, our friends at Wikipedia say, "[Paisley] resembles a large comma or twisted teardrop, the kidney-shaped paisley is one of the most recognized patterns in the world. The lacy pattern is Persian in origin, but its western name derives from the town of Paisley, in central Scotland. Pakistan Paisley designs are widely termed as the "Carrey" design. Carrey in Urdu means the Mango seed."
For a few modern uses of the paisley pattern, check out this leather settee from Horchow. Love the more traditional style mixed with the fun, more modern paisley adaption. They had a few other very fun paisley pieces such as a few rugs, a chair, and a upholstered headboard!


As far as wearing paisley, there are many current options for that as well. I have to say, those paisley sandals (Privo by Clarks) are my favorites!






One day when I have a studio, I want to buy cards like the one above and make an inspiration board. I think it will actually make my work much stronger to see these things as I'm making.

So I know it's been awhile since I've posted anything on here but I have been very busy in the studio (a real studio in fact) at my teacher's house. They were on vacation and I was house sitting and keeping their dog company. So without further ado, here's a few pics from my time there.


So on top of having the use of a studio for a few weeks, I also really enjoyed being able to use their dishes since they have quite the collection of pieces from other ceramic artists. I think this mug was my favorite while I was there. I want to say it was made by Sarah Jaeger but I'm not entirely sure. I just thought that it looked like one of her pieces. On a side note, that Mortar and Pestle set are something that my teacher made. Also, I can't forget little Ida who is the sweetest dog anyone could ever ask for (even if she is a little neurotic!).


I'm really happy with quite a bit of the things I did while I was there. Although most of the pieces were mostly pretty simplistic shapes (vases, bowls, etc), I was exploring shape with them and found a few that I really enjoyed. I made one vase in particular that I think the shape would be fabulous for a set of covered jars. Also, in the way of decoration, I went further with my vines and leaves.

So one of the new things I played with was confining the floral patterns to the slipped blocks of the pieces. I like to think of those as barriers for the pattern at times and then also at times I like to completely disregard those edges because they look like too obvious of a place to end the design. I played a very little bit with the deeper carving again that I did a lot of at the end of last semester.


I was happy just to see how much I enjoyed the repetitiveness of making the same forms over and over again. I did rather like that part about it. These forms pictured here are only about 5 days of the work that I made. I also made two more pitchers, finished the two tea pots, made 8 more bowls and 8 more cups. Those last bowls and cups still need to be decorated though. I will call over there tomorrow and see if I can bring those things here because I don't really want to be in their way in the basement. Also I think I left my CD in the CD player. :)